Mad Mummy Premier Approaching

Here are some of the finished colored pages from the first issue of The Mad Mummy. Work continues to roll on with the project. I now have the first issue inked and colored and will be starting the lettering next week. I also have the first four issues pencilled, some pages of which appear below. This one is more of a flashback sword and sorcery story and great fun to do.

 

 

I'm hoping to have the first issue available digitally from Iverse and Comixology by the end of February. And I'm also pleased to announce that Ian Nichols has taken open the editorial duties. Thanks Ian, I really appreciate your help with this.

Last Friday was the opening of an art show which featured a number of pieces from my art collection as well as a selection of work by other artists. I had a great time and got to meet Syd Mead. I even had a Titanic moment. A couple of folks who had worked at Disney, Rick Law and Mindy Johnson, commented on a Jon Whitcomb drawing of Alice in Wonderland that was in the show. "You do know that is Kathy Beaumont and she lives just down the street."  Mindy put in a call to Kathy to tell her the news.  Apparently Kathy, who was the model for Alice and the voice of Wendy in Peter Pan, was a big fan of Whitcomb's work, but had no idea he had done of drawing of her. I'm looking forward to meeting her; I have lots of questions.

(Kathryn Beaumont as Alice and below a recent photo.)

Here is link to an article by the great Disney artist Floyd Norman about the piece:
http://floydnormancom.squarespace.com/blog/2013/2/26/a-sketch-of-alice


And here are a couple of links to some of the photos from the show:
https://www.facebook.com/photo.php?fbid=10152016489512795&set=a.10152016481952795.1073741876.724767794&type=1&comment_id=11182163&offset=0&total_comments=3

https://www.facebook.com/photo.php?fbid=474627332642582&set=a.474627302642585.1073741830.345719602200023&type=1

And of course the show itself is up for another month if you are in the LA area.

Collectors Corner
Jan 24-Feb 23, 2014

• Show Title:
  The Collectors Corner
• Artist:
  On loan from Private Collectors
• View Artwork:
  Only available in Gallery
• Show Schedule:
  CLICK HERE
  

  Opening Reception Jan 24, 7:00-10:00
• Date and Time:
  Jan 24 - Feb 23, 2014

The new gallery @CSG in Burbank is proud to debut their second edition of “The Collectors Corner” this month. On loan from private collectors the show includes original artwork created by such legendary powerhouses as Robert Fawcett, Oliver Hurst, Bernie Fuchs and Robert McGinnis. All artwork is on loan from the private collections of Emmy Award winning storyboard and comic artist  Mike Vosburg, filmmaker and feature film animator Joe Haidar, feature film animator Jim Baker and The Goldberg Collection.
Center Stage Gallery presented by the Creative Talent Network is carrying on the tradition of putting the talent center stage and is proud to present this second showing of “The Collectors Corner”. A rotating show of private collections filled with inspiration and a must see for any artist or collector.
For more information please go to www.centerstagegallery.com, email us at hello@centerstagegallery.com, or
call 818-259-1598.

CENTER STAGE GALLERY SHOW

Next Friday at Center Stage Gallery in Burbank is the opening of a terrific illustration show featuring a number of pieces from my collection and three other LA based collectors. If you have an interest in classic illustration are are in the LA area, make sure you get a chance to visit this show. It runs until late February.

Collectors Corner
Jan 24-Feb 23, 2014

• Show Title:
  The Collectors Corner
• Artist:
  On loan from Private Collectors
• View Artwork:
  Only available in Gallery
• Show Schedule:
  CLICK HERE
  

  Opening Reception Jan 24, 7:00-10:00
• Date and Time:
  Jan 24 - Feb 23, 2014

The new gallery @CSG in Burbank is proud to debut their second edition of “The Collectors Corner” this month. On loan from private collectors the show includes original artwork created by such legendary powerhouses as Robert Fawcett, Oliver Hurst, Bernie Fuchs and Robert McGinnis. All artwork is on loan from the private collections of Emmy Award winning storyboard and comic artist  Mike Vosburg, filmmaker and feature film animator Joe Haidar, feature film animator Jim Baker and The Goldberg Collection.
Center Stage Gallery presented by the Creative Talent Network is carrying on the tradition of putting the talent center stage and is proud to present this second showing of “The Collectors Corner”. A rotating show of private collections filled with inspiration and a must see for any artist or collector.
For more information please go to www.centerstagegallery.com, email us at hello@centerstagegallery.com, or
call 818-259-1598.

The bulk of the show features my Robert Fawcett collection, but there are also several Oliver Hurst pieces, three Dean Cornwell roughs, as well as pictures by James Montgomery Flagg, Austin Briggs, Noel Sickles, Jon Whitcomb, Robert McGinnis,Bill Sienkiewicz, Leonard Starr, Joe Kubert and Alex Toth. Quite an eclectic group.

The art that I'm posting is all in the show. There are 40+ pieces altogether.

Above is the information about  the gallery. They also host a costumed figure drawing workshop on Wednesday evenings. Enjoy.

Next week: More on the first issue of the Mad Mummy

THE INKER DID IT AGAIN

(Forgot to add this last time. One of the Shang Chi pages I inked...with Dr. Fu Manchu, my favorite villain.)

When you are lucky enough to have your work finished by truly gifted craftsmen, it really is a treat. One of my favorite jobs over the years was a Wonder Woman story that Dick Giordano inked. He brought a subtlety to the work and solutions and simplifications that astounded me. I only wish I had had the chance to work with him more often. By the way, I did "ghost" a few pencil pages for Dick for a Modesty Blaise graphic novel in the 80's…but I've never seen a copy of the book. Anyone have access to this?

(This and the two pencils below are a few pages from the Modesty Blaise graphic novel...which I've never seen.)

Alfredo Alcala also had the opportunity to take some very pedestrian pencils I did for a Conan story and just make them sing. Of course, no one was every going to be confused that the brunt of the work was done by Alcala and certainly not by your's truly. What a master of the brush.

During my long run on The She-Hulk the venerable Frank Springer did most of the inking. I think I learned more from him that any other single artist about bringing a professional looking finish to my pencils. Maybe it didn't hurt that were both left-handed. Oddly enough, while we both drew really fantastic looking women, our She-Hulk was never the perfect combination  of our skills. The book looked terrific, but our heroine somehow lacked a bit of sex appeal.

It was around this time that I was at the first Pro-Con which featured a panel with Joe Kubert and Dick Giordano talking about the inking process. The latter proceeded to tell the audience that he tried to have as much respect as possible for the work of the penciller so that none of his personality was lost in the finish. Kubert succinctly commented: Once the inker hands me any pages, they are MINE!

That's has always been my approach to this whole process. I found in my own work that I didn't want to overpencil and produce very tight originals that were simply going to be traced over in the inking. For me, I do as much drawing when I am inking as I do in the preliminary work. The reality is, that pencils are always going to be grey, while the finishes will be black. Understanding  the balance needed to make that work just doesn't happen in the first stage.

(A couple of recent pinups I did of the She Hulk for my favorite comic art collector.)

I was just reading the excellent book on inking by Klaus Janson. ( Now there is someone I would have loved to have seen ink something of mine. ) In the introduction. Frank Miller makes the point that while tools and hand dexterity are assets, the real essence of inking is simply an extension of the illustrator's mind: drawing, composition and storytelling. For me that's what makes the difference between the good guys and the great ones. The latter have the ability to do all the work on their own, but for whatever reasons, they have chosen to only work on the finishing part of the work.

There is also the major problem of style and identity in the work. As Kubert stated:"I want the finish to represent me". That is the essence of the creative process. While the results of having your work taken to another level can be a thrill, it is still less than satisfying in the end if you aren't doing it yourself.

THE MAD MUMMY IS COMING!!!!

Here is a glimpse of some of the finished colored pages from the first issue of The Mad Mummy. More on this in next week's blog.

For those in the LA area, Center Stage Gallery in Burbank is hosting a show of my illustration collection, which includes a number of pieces by Robert Fawcett as well as others by Dean Cornwell, Robert McGinnis, Leonard Starr, Jon Whitcomb, Austin Briggs, Noel Sickles, Fred Ludekins and many more. I'll post information about the official opening (slated for Friday, January 17) early next week.